Here’s another question I got from my virtual pile of email. This one is from Veronika.
I am a French horn/trumpet player in high school and I play with an embouchure that is off to my right of my lips and I have had teachers tell me I need to fix it or I will hit a point where it will get in the way of my playing and I have had others say that if it works for me then I should be fine I would like to know if this is a bad thing and if I need to fix it if you could get back to me ASAP it would be great
As I usually have to say with questions like this, I can’t really answer your question without watching you play, preferably in person. Every player is different and so for me to say without seeing you that you need to change your embouchure (or keep it the same) would not be good advice. Your teachers, on the other hand, have presumably watched you play and notice something not working correctly and have offered a suggestion. My first instinct would be to follow their advice and give it an honest effort.
However, even some very fine musicians and experienced teachers often make some erroneous recommendations simply because they don’t have an interest in embouchures and assume that what works for them (and even a majority of their students) must be correct. Everyone has a different face, so everyone will have a different embouchure. If you do a search for “off center” here on my blog you’ll see many examples of embouchures that are placed to one side, and some of these are world class brass musicians. Most players will find that their embouchures are a little to one side, but generally centered along the horizontal. Some players play much better with a very off-center mouthpiece placement.
It’s difficult to generalize why some players do better with an off-center placement. Sometimes brass musicians will talk about a protruding or sharp tooth that requires them to place the mouthpiece so the rim can’t contact the tooth. I’ve heard other players describe how they intentionally place the rim over a protruding tooth or gap in order to “lock in” their placement. Again, it’s a very personal feature.
Getting back to Veronika’s question, I would just close by pointing out that it’s not how your embouchure looks that is important, it’s how it functions and how good it sounds. If you sound best with an off-center mouthpiece placement then I think that this is where you should leave it. Whenever I recommend an placing the mouthpiece in a different spot than where it is I do so because there is an immediate improvement in something that needs to be fixed and because I can’t fix that issue with any other method. If your teacher is telling you that in time the “muscles will develop” with a more centered placement I would try to find a different teacher and grab a second opinion when you can. I’ve even heard of some cases where excellent brass players have done everything their teacher told them to do in their lessons, but practiced how they knew they should play on their own in order to get by. That’s not ideal, but always an option if you think you’re being steered wrong in this area.
Do you have a question about brass embouchures or any other music related topic you’d like to see me discuss here? Drop me a line with your questions.