Daniel shared a video of his embouchure with me and asked me about helping his range. After watching it, I wrote the following in response. Since the advice I gave Daniel is something that I continue to work on myself, I thought I’d share it here.
By the way, I still have a backlog of emails from players who are waiting for some embouchure help from me. I’m sorry about the delay, and please feel free to drop me a reminder email about it.
Your situation is one that is kind of tough for me to be specific based on what I can see on a video. In person there are some things we could try and they might provide better clues, but for now I think you should think about having a good overall embouchure formation. Once that’s working a little better it becomes easier to get more personalized.
Watch the video and see how your lips open for the breath and then have to come together quickly as you attack the pitch. This way of breathing is great for taking in large breaths very quickly, but it’s rough on the chops. First, every time you take a breath the mouthpiece has to lighten up on pressure when you open your lips, but then has to “crash” back against your lips for the attack. It’s not as stable and it’s rough on endurance. Secondly, when you go to attack the note it’s very tough to have both the lips firmed correctly for the note and the mouthpiece to be on the right place on the lips.
Just for practice, I’d suggest you take any warmup/routine exercises you do and as you go through a practice session, do a little bit of the following:
- Firm your lips as if you were going to buzz.
- Place the mouthpiece on the firmed lips and don’t allow yourself to change the position of the lips at all (you might want to wet your lips to set the mouthpiece so it can more easily slide to where it wants to go without twisting up your lips in any way).
- Breath in and play the exercise.
When it comes to inhaling for the first note of the exercise you should start out by leaving your chops set, ready to play. You can learn to do this in stages:
- Breathe through the nose (your lips firmed and the mouthpiece pressure as if you were already playing).
- Breathe through the mouth corners while keeping the lips inside the mouthpiece together. A little more mouthpiece pressure than you might use while playing can help you keep the lips center together while breathing through the mouth corners.
Eventually it can really help to go to breathing through the mouth corners like #2 just above all the time, not just for the first note after putting the instrument on your lips, and not just for exercises. But for now just spend 5-10 minutes a day at the beginning of your practice trying this out for the first notes you play when you put the horn to your lips.
If you find that as your practicing this that your mouthpiece placement wants to drift in any direction (up, down, left, right), allow that to happen. Your placement looks very close to half and half, which actually is not that common. If you find getting the high notes out is easier with a placement higher or lower on the lips, spend some practice time playing with that mouthpiece placement and see what happens.
After a couple of weeks of trying this out let me know how it feels to play now and even take another short video. Please take a look at the link I sent earlier. It will tell you the things to video record that help me figure out what’s going on.