Kees Hein Woldendorp passed along the announcement for a conference an international congress about ‘rehabilitation and music’ at Revalidatie Friesland, the Netherlands on April 24, 2019. He will be defending his PhD thesis, “Musculoskeletal complaints and dysfunction in musicians,” there. There will be some presentations about brass embouchures there. Here’s the announcement.
1959 was arguably the most creative year in all of jazz history. Bird had already passed away, and this year would see the passings of Lester Young and Billie Holiday. Musically speaking, when we read jazz history texts or see the labels among the many diverse styles of jazz (i.e “Free Jazz,” “Modal Jazz,” “Third Stream,” etc…), we tend to separate these different styles into alternate universes. In fact, many of the contributions we now consider to be jazz “classics” all happened around the same time.
There were so many great records and performances that happened in 1959. Here’s a neat web site that posts a snapshot of jazz from 60 years ago with new photos posted every day. It’s called the 1959 Project.
Time that I might usually spend doing a little blogging here has been taken up with other projects, including something that is related to a recent topic started on Trombone Chat forum, Embouchure mechanics certificates?
The beginning of the thread discusses the broader topic of degrees or certifications as a measure of the breadth and expertise of the holder. Where I find it gets more interesting is when it spins off into a discussion of brass embouchure pedagogy.
As I alluded to above, I’m currently putting together something related to embouchure pedagogy that I’ll be posting here when complete, but it’s a pretty extensive project and I want to have it complete (or complete enough) before it goes live. I will say this, there will be very little in it that can’t already be found if you poke around through all my blog posts, but the presentation and organization will be a bit different from how I’ve done this before.
North Carolina got hit with a blizzard overnight and it’s expected to continue snowing through tomorrow. Since I’m fortunate to not have lost power (yet), I’ve been putting the finishing touches up on a big band arrangement of “The First Noel.” Here is a MIDI demo of it.
If you’re curious, I do most of my composing/arranging directly into Finale and the above playback file is Finale’s playback. For the rhythm section parts I create a Band-in-a-Box MIDI file and open it up with Finale, then copy and paste the parts I want into my big band score. That gives me a quick and easy rhythm section playback.
It takes too long to fix all the weird import errors when I try to import a Band-in-a-Box solo into Finale and since the chart will soon be played by real musicians I didn’t worry about plugging in solos in the demo. There are three soloists. The first 16 bars is alto sax, followed by 8 of trombone and 8 of trumpet.
This tune was interesting to work with and arrange. It’s an unusual tune, the same phrase repeats and then a refrain follows that is very similar to the original phrase. Creating a swinging big band arrangement of that form presented some challenges. Because each of the three phrases in the “tune” are so similar, it would quickly become repetitive to have every phrase of the chart be based on the same phrase. I broke up that pattern in four different ways. First, I changed up the reharmonization for the refrain (third) phrase. I also wrote a new 8 bar section to use as an intro, interlude, and coda. During the solos section I inserted a bridge based on the bridge to “Frosty the Snowman.” Lastly, I modulate to new keys, on the shout chorus every phrase.
It’s nice to not be distracted by the clock while practicing meditation, so a few years ago I created some MP3s to use with my iPod. These days I tend to use the fancier timer on my cell phone, which is more convenient for me and takes up less drive space on my iPod. Still, the meditation timers I’ve made available online remain one of my more popular resources.
Here they are. Each MP3 starts with 30 seconds of silence (to give you a moment to get comfortable) followed by the sound of a bell ringing. After a period of time the MP3s end with the sound of the bell again. The files themselves are pretty large, considering that they are mostly silence.